本文主要讲的是Terra Baixa表达的意义，Guimera的Terra Baixa是现代腐败的寓言，发生在靠近比利牛斯山脉的加泰罗尼亚平原。从加泰罗尼亚语翻译而来的意大利语和德语，Terra Baixa带着与当代自然主义相关的特征。这些特征包括无处不在的悲观主义，挣扎中的暴力达到宿命论的顶峰，以及对不平等和剥夺的生动描述(Klein, 1973)。本篇曼彻斯特论文代写文章由英国论文通AssignmentPass辅导网整理，供大家参考阅读。
Guimerà’s Terra Baixa was a parable set of modern corruption in the plains of Catalan close to the Pyrenees. With its translation from Catalan in Italian and German, Terra Baixa is bearing the hallmarks related to contemporary naturalism. These hallmarks include pervasive pessimism, fatalistic culmination of struggling violence and graphical portrayal of inequality and deprivation (Klein, 1973).
This struggle is situated by Guimerà with respect to modern social upheaval in Catalonia further contributing to enhance the naturalistic credentials of the play. This is specifically between the extremely prosperous and modern Barcelona along with hinterland under the blighting of poverty. However, crucial commentators showed reluctance in categorizing the work of Guimerà with such neatness that they pointed out the strong resonance of idealism, heroism and myth in Terra Baixa. There is no denial in the fact that Manelic, the shepherd, was under the cynical exploitation of Sebastià (Gallén, 2012).
This further embodied the classical naturalistic attribute of animalistic and instinctive violence. However, Manelic somewhat turns out to be a liberator. Instead of being a political or social figure, he turned out to be a romantic hero embodying the potential of utopianism. Luring across the lowlands due to Sebastià for having an arrange marriage with Martha, Manelic ends up discovering the sham plot. Sebastià uses the union for masking his respectability while carrying on his affair with Martha who is practically powerless (Gallén, 2014). On the discovery of this arrangement and considering the growing feelings of Martha for him, Manelic takes the decision of killing Sebastià and returning with Martha to the mountains. As the scene comes to an end, he pushed across the crowd which is gathered across the dead body of Sebastià and leaves behind an absolutely transformed community from the intervention.
In the crucial sense, the play was not offering any hint that the transformation will form as a revolt or a social action. Instead, the strongman intervention of Manelic is evident on the heroic level and individual level (Labanyi, 2010). The overall message is set more in moralistically restoring honor in combination with the revulsion of corrupted Catalan lands and their strong connection with the purity of heights. The ultimate proposal of Terra Baixa takes the audience to a world filled with myths. This is gestured related to Romantic Rousseauism informing majority of the work of Guimerà and the broader revival of romantic nationalism in the Catalan culture.
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