英国论文重复率:音乐产生机制

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28/10/2018

英国论文重复率:音乐产生机制

汤森德在音乐上改变了人类感知的不规则性,借助新兴的合成器和全科医生问题,同时捕捉人类的心跳和脑波,将其转化为大量的音频脉冲。这一代音乐的结果反映了恐慌的民众对革命的不同看法。

“生活在森林里的物种是真实的,社会中的群体和人群也是如此,他们同样处于依赖和竞争的不稳定平衡中。”和同样的真理在你….”

英国论文重复率:音乐产生机制

这就解释了Townshend的音乐产生机制,因为有各种各样的人都是可怕的,但是一些群体的权力膨胀,增加了依赖和竞争的平衡(查尔顿99-102)。在这首歌的视觉效果中,可以看到马尔萨斯式的权力扩张,这使得公民在独立时变得软弱无力。

“……一直存在着一种危险——一种可能性是,一些可变因素,例如人口密度,可能会达到如此大的数值,以至于进一步的下滑可能会受到内在有害因素的控制。”

英国论文重复率:音乐产生机制

Townshend had musically transformed the irregularities in the human perception with the help of the emerging synthesizers and general practitioner questions coupled with capturing the human heartbeat and brainwaves to convert them into a plethora of audio pulses. The results of such music generation reflected panicked citizens with different views of revolution.

“What is true of the species that live together in a wood is also true of the groupings and sorts of people in a society, who are similarly in an uneasy balance of dependency and competition. And the same truth holds right inside you….”

英国论文重复率:音乐产生机制

This explains the music generation mechanism of Townshend as there are different sorts of people who are gravely feared but some groups have been expansive in power which increased the apprehension in the balance of dependency and competition (Charlton 99-102). In the visuals of the song, it could be seen a Malthusian expansion of power which has been making the citizens weak in independence.

“………there is always danger-the possibility that some variable, e.g., population density, may reach such a value that further slippage is controlled by factors which are inherently harmful”

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