代写论文：油画
Ko的阶级背景使他理解和获得知识的细微差别油画。他去日本学习新的西方风格的绘画。回国后,他发现,这个新技术是严厉的批评和不接受韩国社区。为了避免批评他恢复了绘画的传统正统的韩国绘画。他转移重点发展艺术使用原始主义意识形态没有放弃他在油画学习的意识形态。他决定表达所有艺术工具和新的表示形式。然而在这个设计他使用油画技术描述的灯光和阴影,相互交错。这显示了适应性和猜想的艺术家是一个社会的一部分。有反思的意识形态和文化影响在Ko的作品。自画像的Ko获得了大量人气。有广泛的分析和调查,在分析Ko的作品。艺术家的自画像显示独特的元素的不平衡。艺术家故意设法使这个概念。他玩元素的描述,使用不同形式的反思。有许多隐藏的意义和内涵已经观察到在这个工作。除此之外,有一个深思熟虑的使用颜色和描述,简单地表达艺术的标准测量发现有所不同。
代写论文：油画
Ko’s class background enabled him to understand and gain knowledge about the nuances of the oil paintings. He had gone to Japan to learn about the newer western styles of painting. After his return, he found that this new technique was heavily criticized and not accepted in the Korean community. To avoid criticism he resumed painting in the conventional orthodox Korean painting. He had shifted his focus to developing art using primitivism ideologies without abandoning the ideologies that he had learnt in oil painting. He had decided to express all his artistic tools and form new representations. In this design he however used the oil painting techniques and interplays the lights and shadows in the depiction. This shows the adaptability and the conjecture of artists to be a part of the society. There was reflection of the ideologies and cultural influences that was seen in the works of Ko. Self-portraits of Ko have gained a lot of popularity. There was extensive analyses and investigations that has been done while analyzing the works of Ko. The self-portraits of the artists show a distinctive imbalance of the elements. The artist deliberately manoeuvred this notion. He had played with the depiction of elements and had used different forms of reflections. There are many hidden levels of meaning and connotations that has been observed in this work. Apart from this, there is a deliberate use of colors and depiction that simply expresses that the standard of measurement of art is found to vary.