论文代写：平板床设计元素
作品中的每一个元素都被视为呈现一个真实的世界实体或某种形式的操作过程，如铰链门。虽然这是平板床的代表，但斯坦伯格的论点中有一些不适用的因素。斯坦伯格把平板作为一种明显地消除了它的垂直姿态的东西。在观看Rauschenberg的作品时，一种垂直的姿态被理解为这是一个食橱，因此它是垂直的。这将导致矛盾。然而，如果没有预先设想的橱柜或橱柜的概念，它也可以是一种排序表。它看起来像一个可以打开的表格，就像一个箱子。这些画和照片可以被理解成藏在桌子的抽屉里。在当代，有一些绘画课桌和课桌，以这种方式向用户开放。因此，水平平面不需要被理解为仅仅是维度的层面，它邀请读者分享空间中产生的错觉。Rauschenberg创造的水平平面试图制造混乱的空间性。人们发现，这些空间是在观众的脑海中形成的，如果这是斯坦伯格所说的平床的目标，那么Rauschenberg的作品确实可以被称为平坦的床。
论文代写：平板床设计元素
Each element of the work is seen to present a real world entity or some form of operational process such as the hinged door. Now although this is representative of the flatbed, there are some elements in Steinberg’s arguments that cannot be applied to it. Steinberg presents the flatbed as something that distinctly removes the vertical stance from it. In viewing the work of Rauschenberg, a form of vertical stance is understood as this is a cupboard and hence it would be vertical. This would result in a contradiction. However, looking at the art work without a preconceived notion of a cupboard or a cabinet, it could also be a table of sort. It appears as a table which has draws that can be opened up like a trunk. The paintings and the photographs could be understood as having been kept inside the drawers of the table. There are painting desks and study desks in contemporary times that open up to the user in this way. The horizontal plane hence need not to be understood as just dimensional aspect, it invites the reader to partake of the illusions created in space. Rauschenberg in creating the horizontal plane attempts to create a confusion in spatiality. It is found that these spaces are created to oppose themselves in the mind of the audience and if this was the objective of flat-beds according to Steinberg then Rauschenberg’s work could indeed be called a flat bed.
