论文代写：摄影
摄影不能被认为具有单一的文化地位或静态身份。摄影作为一个动态的、分散的图像、实践和技术领域，有更好的地方。在摄影领域中普遍存在的一致性是，它可以与使用它的语言(Allen, 2003)区分开来。因此，摄影的历史背景是同样话语和制度的繁杂和集体的历史。作为一个重要的例子，警察摄影的历史不能与司法系统和犯罪学的制度和做法区分开来。因此，可以这样说，摄影似乎没有任何统一或连贯的历史，除了被记录在一些影响和使用方面。个人照片所描绘的意义具有完全的偶然性，主要依赖于照片形成的背景。
论文代写：摄影
Photography cannot be considered to have a singular cultural status or static identity. There is better regarding of photography as a dynamic and dispersed field of images, practices and technologies. The compliance of ubiquity over this field of photography is that it can be in- distinguished from the discourses or institution choosing its utilization (Allen, 2003). Therefore, the historical context of photography is the multifarious and collective history of the same discourses and institutions. As a significant example, the history involved in police photography cannot be distinguished and separated from the institutions and practices of the justice system and criminology. Hence, it can be stated that photography does not appear to be having any unified or coherent history on its own apart from being documented in terms of several effects and uses. The meanings depicted by individual photograph have complete contingence, with key dependence upon the contexts within which photograph has been formed.
