论文代写:不同的艺术形式
相同的开放,四十有三个壁画。壁画中的类的想法是由Angelico给出。纪念碑风格的重要性,在纪念碑上创建的场景非常自然(玛丽安妮,2011)。壁画中的每一个都有自己的代表。11国的壁画由不同的表征,如禁止接触的警告,埋没,报喜,基督在十字架上有四个圣人,处女的加冕典礼,表示在殿里和圣母子和两个圣人。
设计的字母颠倒象征着与神有关。夫人这是深蓝的衣服颜色和接收青春的魅力和一个伟大的精致装饰有丰富的红色长袍。
被用于这个设计的风格是理想主义(叶芝等,1994)。这是因为这幅画一直基于符号。的字母标志的象征上帝或其他符号链接都与一些相关或其他符号形式。女性已经代表符号表示,作为教会的化身。
如果两个作品相比,他们的方式上有所区别牵连其中。壁画的设计象征着基督的真实生活,而其他工作象征着教堂的圣母夫人(克拉克,2013)。纪念碑设计集中在基督和试图揭示基督的痛苦的表情和其他圣人。第二幅画一直专注于女士和纪念碑的化身绘画是基督懊悔的相关情况。
论文代写:不同的艺术形式
On the opening of the same, there are forty three frescos. The ideas for the class in the frescos were given by Angelico. The importance of the monument style is that the scenes which are created on the monuments are very natural (Mary Anne, 2011). Each of the fresco has its own representation. The eleven sides of the Frescos consists of different kinds of Representations such as Noli Me Tangere, The Entombment, The Annunciation, Christ on the Cross with four saints, the coronation of the Virgin, the presentation in the Temple and the Virgin and Child and two saints.
The designing of the letters which are upside down symbolizes to be associated with the God. The dress of the lady which is deep blue in color and receives the youthful charm and a great delicacy adorned with the rich red robe.
The style which has been used in this design is idealistic (Yates et al, 1994). This is because the painting has been based on symbols. The letters which are marking as the symbol to the God or the other symbolic links are all associated with some or other symbolic form. The women have been represented as the symbolic representation and have been used as a personification for the church.
If the two works have been compared, they differ in the way they have been implicated. The design of the frescos symbolized the real life of the Christ while the other work symbolized the Church with a virgin lady (Clark, 2013). The monument design was concentrated on the Christ and was trying to reveal the painful expressions of the Christ and the other saints. The second painting has been concentrating on the personification of the lady and the monument painting is related to the remorseful situation that the Christ has to face.
