本文主要講述韋斯頓的藝術風格，韋斯頓最受好評的作品是他的肖像畫和現代舞研究。他在攝影中運用了延長曝光時間的特殊技巧，使印刷出來的圖像看起來更亮更輕。性和性別顯著目睹了肖像攝影的愛德華·韋斯頓貝克(2017)。他拍攝的女性肖像表情深沉而強烈。此外，韋斯頓還詳細記錄了他的生活、工作和靈感。因此，他的日記中收錄了許多女性的照片，並提到了他的風流韻事。本篇論文代筆價錢文章由英國論文通AssignmentPass輔導網整理，供大家參考閱讀。
The most praised work of Weston was his portraits and the modern dance studies. He had used special skills of extended exposure time in his photography so that the printed image could appear brighter and lighter. Sexuality and gender have been significantly witnessed in the portrait photography of Edward Weston (Becker 2017). He has photographed the portraits of females with deep and intense expressions. In addition, Weston had kept a detailed journal about is life, work and inspirations. Thus, his journal has included many photographs of the females and has mentioned his love affairs.
In the year 1920, Weston started photographing the nude figures, which was the start of sexuality in his work. He started enjoying photographing the nude figures and his first model was his wife Flora. His conservative style changed after meeting Margrethe Mather. She came to his studio after knowing about his increasing reputation and soon they developed an intense relationship. She was very artistic and her sexual morals were different from Weston. He started integrating female sexuality in his photographs and it was significantly aligned with ‘art’ (Van Marle 2006). Sexuality and gender were the form of modernists’ ideals that were combined by Edward Weston and even represented modernity in his art.
His modernistic photographic style soon became encoded with minimalism, semantic ideals and advent-gardism (Van Marle 2006). These aspects of sexuality and gender were more visible in his representation of the female body. According to (Van Marle 2006), “he refused the sexual charge of mystic gaze and fetishised accessories and, instead abstracted the body” (p. 50). Some of the significant details such as the pubic hair and nipples were avoided for representing sexuality or gender. However, the whole intimacy and sexuality was represented through the face of the nude woman, where the head was cropped or blurred to represent sexuality.
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